It was displayed, along with other periodicals which have not survived in my memory, child-level, on low, angled shelves. The covers varied from month to month only in their two feature colours (in 1970 such combinations as turquoise and mint, lime and shamrock, butterscotch and crimson) and the small graphic in the corner. The best part of Highlights for Children was "Hidden Pictures" wherein small pictures were cleverly disguised in the lines of a larger one. "In this big picture find the bird, tepee, heads of two fiddlers, fish, pocket comb, two cups, letter S, bell, toothbrush..."
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Though this theory is entirely anecdotal, I have noticed that childhood trauma is linked to a future in the arts. The least conducive upbringing you can have if you hope to be an artist is a happy one. Trauma is relative, of course. The more important factor is sensitivity, so lack of frequent beatings need not impede your gifts. Your reaction to the shame of a once-in-alifetime slap might do the trick, for example. Or some seemingly innocuous interaction at the library.