Inside Issue 103: Natural Histories

Natural history has been, historically, the province of amateurs, people with a keen interest and a critical eye. Based more on observation than experimentation, it is the study of plants and animals in their environments. According to biologist Stephen Herman, it "stresses identification, life history, distribution, abundance, and inter-relationships [and] often and appropriately includes an esthetic component." Inside Issue 103 you will find a complex and fascinating interweaving of essays, poems, and stories that reflect on these themes with style.

The List Goes On

In Issue 100, we featured our Readers' Choice of Most Loved Living Canadian Writers. Many of these writers sent us new work to include in this issue, but we could not fit it all in? there, after all, no fewer than fifty-six writers on the list?so you will find a suite of plays here from the Newfoundland contingent.

Michael Crummey: Why Can't you Play by the Rules For Once

Lisa Moore: Healing Circle

Edward Riche: A Spot of Trouble

Michael Winter: Trying to Be Good

  

Introducing Kathleen Winter: The 2006 Metcalf-Rooke Award Winner

Tiffany Johnstone: The Small Moving Things of the World: An Interview with Kathleen Winter

Kathleen Winter: You Can Keep One Thing

                        Malcolm in Blue

                        Binocular

  

Natural Histories

Isabel Huggan: Rivertime (reflections on rivers and writing)

                      Small Fish

                      Heron Departing

Barbara Carter: Wading in with Isabel Huggan (An Interview)

Mike Barnes: Vaster Than Empires: Tales of the Tropane Alkaloids

  

Poetry

Jesse P. Ferguson: Riparian Zone

Barry Dempster: two poems

Elspeth Cameron: The Point of Change

Stephen Bett: Dysfunctional

Sarah Mian: Kerouac

  

Fiction

Nadine McInnis: Where All the Ladders Start

Fiona Foster: Wormwood

  

Essays on Writing

Susan Olding: Mama's Voices

Douglas Glover: The Attack of the Copula Spiders: Thoughts on Writing Well in a Post-Literate Age

Steven Heighton: The Riveted and the Reposing (Drawing)

  

Postscript

Colette Maitland: Testimonial

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